Tuesday, 17 March 2020

THE HELLENISTIC FLAT TOP

THE most remarkable ship we know about from the ancient world is
 the Syrakousia - the Maid of Syracuse.
 
Syracousia as reconstructed in 1798.

Despite some translations and reconstructions deciding the opposite, Syracousia was a sailing ship and not a galley. Even so,  it is more than worthy of discussion here. She led, for example, a small flotilla of support ships which were mostly galleys.

Flipped Prof is an Italian 3D graphics team(?) who produce reconstructions of the ancient world. They look great but have some errors of detail.

Flipped Prof show here a reconstruction of Syrakousia as a galley with 3 tiers of oars.

Youtube HERE
 

 The error is simply made, because the ancient Greek text is somewhat garbled, technical and difficult to understand if one knows little of ancient ships.

Having held the idea in mind for many years I finally decided that I had to make a model of this behemoth and try to make some sense of the ancient account.

SOURCES

The Syracousia was constructed in a special place and time which allowed for such futuristic, cutting- edge  projects to be carried out.

Hieron the Second of Syracuse was a hellenistic ing who had access to great wealth and great technologists. Hieron started the First Punic War(264BC)  on the Punic side but was obviously gifted in diplomacy for he ended it on the Roman side (241BC) and remained friendly with them until his death in 215BC. As if to demonstrate what a feat this was, within 4 year sof his death the romans had seen fit to sack Syracuse and swallow his kingdom.
Hieron II lived until 92. Barely a bad word written about him (enemies all very dead)
Hieron II was admired and successful and wealthy. Hellenistic kings were supposed to give public displays of their wealth and excellence as a kind of public and religious duty. What would today be seen as wasteful junket would have been interpreted as a demonstration of how the gods smiled on the kingodom's ruler and therefore the kingdom and therefore each individual citizen. Big parades, tours and festivals were de rigeur for an Hellenistic king.

Vulgar to Romans but essential to Hellenistic royalty

 Hieron was fortunate enough to have a bevy of beautiful brains at his disposal. Hellenistic courts loved knowledge, fine arts natural sciences and engineering. Just as his predecessor, Dyonisius I, Hieron patronised the wise and clever. He was lucky enough to have the great Archimedes at the head of his brains trust and this combined with a penchant for shipbuilding led to the Syracousia.

We shall see, Carl, we shall see....
We have an account, a detailed account, (but not wholly clear, dammit!) of the great ship. It comes, bizzarely enough, from a long and rambling work from the 3rd century AD known as 'The Philosopher-Gastronomes'  (Deipnosophistae), by the Egyptian-Greek  Athenaeus of Naucratis. In his work, which survives in incomplete form, Athenaeus manages to name-drop no less than 800 ancient authors and 2500 literary works. He is a mine, (some might say a pile) of information about the ancient world.

Athenaeus, then, scratched an account of a work by Moschion who was an earlier writer. How early we do not know. He could also have been writing AD. But Moschion had knowledge of the Syracousia project and preserved it due to his delightful profession of 'paradoxographer'. His bag was to create the 'wierd tales' or 'stranger than fiction' pulp of his day.
Just now we stick to construction rather than seduction...
Bored with scoffing for a while, the Philosopher-Gastronomes are treated to a lengthy morsel from Moschion which tells of how Archimedes was entrusted with a project to build the biggest and best grain freighter by Hieron II.

But the tall tale told for the delectation of the well-stuffed Hellenestic aesthetes has been a target for scepticism.

THE ENTERTAINMENT PUT ME OFF MY CUSTARD AND LARK-TONGUES...FOR A WHILE..WHY COULDWE NOT JUST HAVE STORIES AND POEMS ABOUT SHIPS INSTEAD ?

Dawe, Diggle and Page, in thier survey of the Greek epigram*,  (p. 27) see the tale as an 'absurd yarn' - as absurd as their Dickensian assemblage of names, no doubt. Part of Moschion's account includes an epigram attributed to one 'Archimelus'.( Incidentally, we know sweet Fanny Adams about these two apart from their naming in Athenaeus.)Epigrams should be pithy, witty, ingenious and brief. They originated as tombstone inscriptions and memorials  - our modern epitaph - where every letter cost money.

(Remember,  'Many archaic epitymbic epigrams are monostichs'  A sentence I have vowed never to remember)


'I told you I was Milligan!'

The problem Dawe, Diggle and Page have with the Syracousia epigram is that it lives up to none of these criteria. Get this.....

Who placed this monstrous mass upon the earth;
What master led it with untiring cables,
How was the deck nail'd to the mighty beams,
And with what axe did men the vessel form?
Surely it equals Aetna in its height,
Or any isle which rises from the sea
Where the Egean wave entwined foams
Amid the Cyclades; on either side
Its breadth is equal, and its walls alike.
Sure 'twas the giants' work, who hoped to reach
By such vast ladder to the heights of heaven.
Its topmast reaches to the stars; and hides
Its mighty bulwarks 'mid the endless clouds.
It holds its anchors with untiring cables,
Like those with which proud Xerxes bound the strait
Which between Sestos and Abydos foams.
A deftly carved inscription on the side
Shows what strong hand has launch'd it on the deep;
It says that Hiero, Hierocles' son,
The king of Sicily, pride of Dorian race,
Sends it a wealthy messenger of gifts
To the Aegean islands; and the God
Who rules the sea, great Neptune, convoys it
Safe o'er the blue and foaming waves to Greece.

You may notice that the 'epigram' is almost as large as the monster ship herself, but we must remember tha the form did get extended with time to allow flowery praises to be heaped on the subjects.
The judgement of DD&P is that this epigram is 'the most fatuous to have survived from the Alexandrian era'. Also . 'the hyperbole is grotesque'. Academics stamping their feet are never a pretty sight. DD&P conclude that the whole tale is a fanciful crock and dismiss it.

Unfortunately for the poetry-inclined latter-day dodgy legal firm, they were not naval architects nor were they sailors. Like Livy they write about nautical themes from the security of their bathtubs where the most complex vessel in sight is a plastic duck.

Now we can explain the most complex ancient ship ..Oh I can anyway because  I built it.....
 DD&P used a naval expert upon which to base their judgement. The one they chose was the intrepid, and impressive Cecil Torr. I will devote a whole blog page to Cecil Torr. He is one of my favourite writers and researchers on classical war galleys and ancient nautical topics in general, not to mention ancient Greek music.  To an Englishman he also has to his credit the publication of one of the most profoundly English books ever. Ranking with Tristram Shandy. But that was nothing to do with Syracousia. The point about Cecil Torr is that he is rather dead. Even in 1981 when DD&P published their tome he was long gone.Cecil's feet failed to retain their wooden enfurbishments in 1928.  Torr's classic  ' Ancient Ships' was published in 1894. DD&P missed out on almost a hundred years of research, discovery and debate and the birth of maritime archaeology. They dismiss Syracousia as an absurd yarn on the basis of an earlier generation's knowledge of ancient shipping.  Apart from that, they were probably correct about the poem's artistic merits....

The facts that we have from Moschion via Athenaeus are fabulous but can be shown to lie within the technical capabilities of the classical world.

The Nemi ships, Caligula's pleasure barges proved such colossi were constructed by the ancients. (may the German army be ever cursed for burning them!). Accounts of the Ptolemies' massive Nile-cuisers - Thalamegoi - back the concept up. Many authors have pored over the after dinner tale - probbly often after dinner - and worked out that Syracousia lies well within the realm of capability for men of the calibre of Archimedes. 

Queus to see ships excavted at Nemi in 1932
Caligula's pleasure-ships : 70 and 73 metres long. with beam 30 and 24 metres

I wanted to build a model of this thing and now I will lay out how I proceeded in the following blog entries.


HELLENISTIC FLAT TOP ?

If the Hellenistic world had aeroplanes they could have landed on this thing ! With the ingenuity of the modern era's early naval fliers a seaplane using a combination ofI Icarus' wings (with perfected non-melting glue!) Heron's jet engine, the torsion devices invented for artillery etc. could have allowed a microlite type thingy to have been produced and operated from a Syracousia type vessel, more than 50 metres long and with a flat top.
HUMAN FLIERS HERE
 Just a crazy thought which I will not pursue further ! ;)

(The silver lining in the cloud of Covid19 is that I have time for this ....  More follows...)


 *Further Greek Epigrams. Cambridge 1981


Sunday, 9 February 2020

Back at the Helm. As in Helmet.

 
Another special  helmet found at Egadi..'...there have been found 2 very fine Montefortino types... with animal crests - along with 4 plain examples.

The first has a reclining cat-like figure ...


  Now the second is shown ,cleaned a bit.

Foto from Archaeology News Network

It reveals itself to be an ornate Roman type a Montefortino with extra ornamentation. A beautiful gryphon head which may be a holder for another fitting - see the mouth.Somehwat resembling later heavily ornamented cavalry helmets or even some infantry officer helmets. The cavalry and officers, especially in Republican times, had plenty of cash to display their status in their equipment.
There are small feather holdrs on the sides too.

This one shares its knob with the Egadi helm.

 A nice report at Archaeology News Network gives details HERE.

Did it fall overboard as the wearer stumbled under a blow or did it find its way into Davy Jones' Locker still attached to his noble head?

You can read a Master's Thesis about the 6 Montefortino helmetsfrom Egadi  HERE

This season has revealed 2 more bronze rostra and a sword ....
.... see RPMN website slide show HERE

You can see video of the recovery operations if you click on this foto.

https://www.tp24.it/2019/07/24/cultura/trovati-mare-levanzo-altri-incredibili-pezzi-battaglia-egadi-eccoli/137490
Click to see video of recovery at TP24 Cultura via Facebook
 You can read more about Egadi under my previous posts or at the RPMN website HERE.

Friday, 7 February 2020

pROGRESS IN pRINTABLE pLASTIC

Some time ago I commented about the advances in 3D printing and what was coming down the pike.

Here is a splendid example of what is possible and what is happening..over at My Mini Factory.

A 'bireme' for the tabletop.

Iain Lovecraft has produced files to print this splendid galley at 28mm scale (or, presumably any scale?) fpr just 36 dollars. If you have tried to buy a resin galleyfor 28mm  you will know this is a reasonable price.

Of course, you need a printer, but if a friend has the machine a pint or two will see him right....

Sadly, they do not seem to have any other galleys in thier catalogue. Yet...

Print and assemble.

Heer and now is not the place to discuss how accurate the model is but it is a) glorious and b) perfect for gaming c) something to impress people that ancient war galleys are something to get into!!


You can find Iain Lovecraf'ts model here. ROMAN WARGALLEY BIREME

Sunday, 17 November 2019

SHED WARS der der de de de derrr derrr etc.



Two weighty tomes have appeared in the last few years dealing with 'ship garages'. Shipsheds are the buildings in which galleys were housed when drawn up out of the water, to protect them from the elements and allow craftsmen to work on them out of the elements.




SHIPSHEDS..

These two books are not really in competition with each other - at first sight, Shipsheds is a catalogue of all known shipshed remains and Ancient Harbours of the Piraeus Volume II (AHP II) is a detailed excavation report from a single location -Zea Harbour.

Both books are well worth buying if you are a galley freak but Shipsheds obviously has a broad range of comprehensive content compared to the narrow focus of AHP II.

Shipsheds is presented by Blackman, Pakkanen et al,  HERE on vid.
 

AHP II

There is more to this pair of books than meets the eye, however, these academic volumes conceal a universe of competing egos, betrayal, error and misrepresentation that is more than your usual fare when looking for stuff about where the ancients kept their boats in the winter - we are talking

SHEDWARS.







The cast:

 AUTHOR OF AHP II......
Young Loven (now somewhat older) : PhD student working for Athens Harbour Project and Zea Harbour Project sponsored by Danish Institute at Athens.Upcoming and yet-unspoiled.

Yaaaay. Let's dig and find stuff!

 AUTHORS OF SHIPSHEDS....
Old Rankov and Old Blackman along with Ja Ja Pakkanen and the lovely space princess Kalliope, established British grizzled academic researchers and their cohorts, authors steeped in shipshed lore. But totally absorbed into the Dark Side.

The Darth-Ran-Kov and Black-man Axis of Evil - Tell daddy what you found Luke! We will explain it!
The TOMES OF WISDOM line up somewhat equal. In a straight bar-room fight they are probably worth about the same but the more robust cover on Shipsheds could probably have someone's eye out. In monetary terms there is quite a difference, however,

£113 Shipsheds Hardcover                       £45 AHP II Flex/Hard Cover



Shipsheds appeared in 2013 and AHP II in 2019. It turns out, though, that AHP II was originally to come out in 2013 also. It was pipped at the post but this gave Loven a chance to discover, to his horror, that the Dark Side had stolen a march and mishandled him in a decidedly nefarious mode. AHP II was shelved in disgust.

The Dark Side utilised the Rebel Alliance's data against them and constructed a model to show the world which we shall hereafter know was The Death Shed.

The Death Shed was constructed from a series of surveys and discoveries made in 2003 to 2006 and prior to then. It is finely illustrated and reconstructed in Shipsheds.
 

Key aspects of the Death Shed (at the risk of boring with minutiae)

1) The gradient of the floor of the sheds at Zea

2) The length of the sheds at Zea

3) The quality of the survey data from Athens Harbour Project

4)  The form of the shipshed floors at Zea.

5) The ancient sea level used as a reference to model the harbour

(That's enough minutiae, Ed.  - there are plenty more)


SURVEY DRONES FIGHT FOR THE INTEGRITY OF THEIR RESPECTIVE DATA MODELS
Young Loven had a whole range of stars from the world of ancient galleys allied with him to form a Rebel Alliance that gave him the necessary support to rewrite his volume and put it out with the necessary explosive and incendiary content to combat the Death Shed.
Battle-hardened heroes such as ....

John Hale       William Murray       Ionnas Nakas       Vincent Gabrielson   allies to be proud of.


All guns blazing, Loven went full speed into attack on the Death Shed.

Academic writing has often seen a clash of opinions. Darwin's evolutionary theory got its fair share of public debate and discord. Indeed, the idea that the Earth is round still has its critics!  The subject of' the trireme' was a flashpoint for years in the period after the reconstruction was mooted. But usually error or misinterpretation has been dismissed with a corrective footnote or a letter to the TES but not so for this unholy construction. The Death Shed required the nuclear option of direct contradiction and accusation in black and white in the body of the text of a major academic reference work.

Let's look at a few of the missiles Young Loven sent crashing into the mass of the Death Shed.



Loven left the harbour project in 2006 due to disagreements over LEADERSHIP, AGREEMENTS, INTELLECTUAL PROPERTY ISSUES !     And at that point he had 'simply had enough'.

CRASH



Despite a variety of suggestions for the difference in mean sea level since antiquity - these ranged from 3.5m to 1.5m - Shipsheds uses 1.40 metres and not the 1.90m established by the Zea Harbour Project. The 1.90m figure was firmly established using the depths to which stone had been quarried around the harbour. It has even been subsequently revised to -2.25m of the present level.
Shipsheds' figure assumes that stone was quarried below water level !! Loven is curtly dismissive of this idea when he says that to suggest the ancients quarried or worked stone - stone available nearby on dry land - in the surf zone or under water is to deny their evident  mastery and sophistication in masonry. Rankov and Blackman suggest casemates and temporary walls could keep out the sea while works were conducted...

THE HEIGHT OF THE WATER WILL INFLUENCE WHERE THE TOP OF A 40 METRE RAMP IS LOCATED

In the same discussion, to reduce the amount of sea level change required, Rankov and Blackman also try to say that solid rock can be liquified in earthquakes and cause large structures built on it to settle......


SMASH



At various points Rankov and Blackman give measurements of gradient to 3 or 4 significant figures whereas the original data allows only for 2. The Dark Side seem to do this to promote a hypothetical 'foot' which is 0.308m. This foot is easily disproved by Loven by simple calculation.

SPLAT


WONKY SHEDS AND RAMPS

The dispute over gradients - the two factions model the gradient diferently from different aspects of the survey data - leads to two main problems with recosntrcution of Phase 3 shipsheds.

1) How steep a ramp has to be to meet the ancient shore and therefore how long it extendsboth  inland and under the modern shoreline.

2) The gradient of the roof construction set over the ramp.

The Dark Side suggest that Loven's model requires that the ramp has a kink in it as the gradient changes sharply and also that the roof had a steepened upper end.


Loven refutes these ideas, by demonstrating that a more accurate ancient sea level figure and with the realisation that the top of the ramp was inclined to fit the stern of the ship, means the roof does not have to conform to this.


These diagrams illustate the main differences shematically -(technical draughtsman not I am. Ed.)
A : LAND SURFACE
B: MODERN SEA LEVEL
C : ANCIENT SEA LEVEL
D : UNNECESSARY INCLINATION OF ROOF
E : PROFILE KINK CAUSED BY CLASHING GRADIENT DATA
F : EACH AUTHOR ARGUES FOR A DIFFERENT LENGTH OF TRIERES
G : SHIPSHEDS' MODEL RAMP DOES NOT REACH THE ANCIENT SEA


BANG! THUD! CRUNCH!


Loven repeatedly proves errors in the Shipsheds reconstructions of the Zea structures. He is not backward in coming forward with criticism.

'the reconstructed length presented here is based on hard data not on architectural hypothesises(sic) such as the alignment of the columns of the lower end or guesswork about the length of ancient triremes.'

'Calculations such as these, which disregard the established measure of sea level change, inevitably lead to erroneous results.'

'Rankov fails to understand that an extrapolation to this depth, or to a minimum sea level change of -1-90m, as presented in Volume I, would automatically invalidate his construction.'

'No evidence found in the shipshed superstructure at Zea or Mounichia supports Rankov's reconstruction.'

etc etc.  CRASH BANG WALLOP




One of the unkindest cuts of all is where Rankov actually cites Loven in support of reconstructions which Loven does not agree with !!!
 

Specifically, Shipsheds reconstructs the roofs of the shipsheds as being steeper at the top of the slipway because the ramp is inclined more steeply at its end to accommodate the upcurving stern.

This can be seen here where the ramps are almost fully preserved at Oiniadai on the north side of the Gulf of Patras.

Diffendale at flickr has many great fotos - HERE

Loven and the Zea Harbour Project team, however, have established that the uppermost parts echoed the steeply curved sterns of the ships but the roof did not need to as the ship remained at a constant angle all the way up the slipway.As shown above -- Wonky Shipsheds.

CRUUUUNCH


The number of brickbats, slings and arrows which Loven casts upon his foes is too many to fully recount here. We will finish with the deadliest payload delivered to the heart of the Death Shed which cruelly damages and undermines the structure erected by the Dark Side.


In establishing the plans and reconstruction  of the Phase 2 and Phase 3 shipsheds at Zea, Shipsheds uses findings of the Zea Harbour Project, and Loven personally, without accrediting them!

The ZHP excavated the submarine parts of Phase 2 shipsheds in 'some of the harshest and most difficult conditions in the history of archaeology'. Unacknowledged in Shipsheds.

 The divers had to contend with all kinds of pollution in the restricted waters of the harbour. Chemicals damaged their suits and bodies....

The submarine parts of the shipsheds were identified by Loven. Unacknowledged.

59% of the planned features on the reconstructions by Pakkanen were identified by ZHP. Unacknowledged..

Other figures present findings misleadingly or ambiguously.

In summary, as Loven puts it..
' The failure of these scholars to follow accepted citation practice is disappointing,'

 One of the most egregious aspects of the whole matter is that Jari Pakkanen was Loven's PhD supervisor at the time of the fieldwork being carried out !!!!!!!


 The last word, as the fragments of Shipsheds' chapter on the Piraeus scatter in the wind, is Loven's....

'The resulting catalogue entry, "Piraeus", is thus fatally flawed and should be treated with extreme caution'
THE FINAL SALVOES WERE ENOUGH TO DEMOLISH THE DEATH SHED (Thanks Cornelia Parker)


'Well it turns out we were not needed. The whole thing was about Death Sheds, not Death's Heads.'


Bjørn Loven atZea Harbour Project here


 


DISCLAIMER
Confused ? I was. All actors and events in this production may not have any relation to your or anyone else's reality.


See Loven describing Zea Harbour Project here




See a reconstruction of the military installation here











Tuesday, 29 October 2019

BACK AT THE HELM

After a a break which has been too long I am back to crank the blog into life again.
 

The book project has been slower than hoped and sucks the life out of everything else, but the light is visible a long way down the tunnel...on the plus side I have some new ideas on tactics, running the ships and there is so much to say - maybe another book ?

I aim now to post two pieces each week. One dealing with history/archaeology and the other with gaming/visits/books/etc.

Histarch pieces to come....

Tuna and triereis- The fabulous eternal links between the Mediterranean diet and galley warfare.

Shed Wars - The sawdust and soil flies when archaeologists are in dispute.

Shooting at sea in the pre-gunpowder era - Could a ballistics computer help with catapult accuracy?

The Fire weapon- Some ideas go up in smoke, and I nearly do too.

Modelling....

Figures for deck fighters and rowers - which ones ?What scale ? Where from ?

Large scale models of galleys for gaming - how I make mine

Book reviews to come...

Une nave Punica


Zea Harbour II - The latest volume on the naval docks of ancient Athens.

If you have a topic you would like me to address I would be happy to put something together,
Just put a comment in.

Saturday, 3 August 2019

Egadi Montefortino Helmets : A smidgin more on a new sub-type

Haaretz has an article with a little more on the dozen or so Montefortino  helmets and a nice summarising article on Egadi finds and the history.

Article from Nov 2017 ! How up-to-date I am .....

Click on picture (from Haaretz) to go there.

https://www.haaretz.com/archaeology/MAGAZINE-diving-archaeologists-find-lion-helmet-from-punic-wars-1.5626649

Another picture and summary at Realm of History blog HERE

Monday, 29 July 2019

EGADI SEABED GIVES UP MORE RELICS

Two more rams have been lifted from the seabed at Egadi where th ebattle which decided the First Punic War took place.

From La Silicia local newspaper
See Italian report HERE.

Sicilian Regional News film  HERE


RPMN are rsponsible for the site excavation and their 2019 report is HERE.

Two Montefortino helmets not previously seen have also been exhibited.

Also a block of encrustation which includes a 70cm sword blade.,, will it be Spanish type?

As is the usual custom, the publication of the relics proceeds with infinite slowness. Some work on the ram inscriptions has already been done by Jonathan Prag but ......  NOTES here    Paper HERE